Very basic theory/song/other tutorials are better suited to /r/learnmusic. The amount of Synthesia "tutorials" or beginner song tutorials we get is too much and would overtake the subreddit if we allowed them. No basic tutorials or Synthesia "tutorials". Please provide as much information as possible to foster good discussion. Pictures lacking context or details are subject to removal. Low-effort and meme image posts are better suited to /r/classicalmemes, /r/pianomemes, or /r/musicpics. No low-effort images, memes, jokes, or context-less images. If the FAQ doesn't answer your question, you can ask your question as a comment in the 'No Stupid Questions' post. What's a good keyboard / piano to purchase?.How do I find sheet music to this song?.Can someone write out the notes to this song?.What is the make or model of my used piano?.The following list of commonly-asked questions have been linked to the appropriate sections of the FAQ: read the FAQ Newest Comments | Participate! Piano Jam | 'No Stupid Questions'Ĭommon generic questions should be asked in the 'No Stupid Questions' post. Because of the challenges in the fast movements, this is probably the most difficult of the Opus 10 concertos, too.Welcome to /r/piano! Whether you're an absolute beginner or a seasoned professional, we hope you've come to talk about pianos.
Moreover, the second and fifth movements have descriptive titles, respectively “Fantasmi” (“Ghosts”) and “Il Sonno” (“Sleep”). “La notte” is unique among the Opus 10 concertos: in fact, it is the only one in a minor key, and the only one to have six movements, while all others just have three. These jewels of his Opus 10 have been ever since amongst the composer's best-known works, and rightly so: the engaging chirping of the Goldfinch (“Il Gardellino”), the turbulent Storm at sea (“La tempesta di mare”), and most of all the unforgettable ghosts and nightmares of Night (“La notte”) are eloquent proof of his unequalled ability to conjure up an atmosphere in just a few bars.
In 1728, when the publisher Le Cène ordered six concertos for transverse flute, Vivaldi went to no great trouble to supply them: he merely transcribed several existing recorder concertos. By Antonio Vivaldi, arranged for solo Flute
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